译 名 地方演员 / Provincial Actors
片 名 Aktorzy prowincjonalni
年 代 1979
产 地 波兰
类 别 剧情
语 言 波兰语
上映日期 1979-08-10
豆瓣链接 https://movie.douban.com/subject/3274210/
片 长 108 分钟 / Argentina: 100 分钟 / USA: 121 分钟
导 演 阿格涅丝卡·霍兰 / Agnieszka Holland
演 员 Halina Labonarska Halina Labonarska
Janina Ordezanka Janina Ordezanka
Stanislaw Michalski Stanislaw Michalski
耶日·斯图尔 / Jerzy Stuhr
Wlodzimierz Matuszak Wlodzimierz Matuszak
多萝塔·波梅卡拉 / Dorota Pomykala
Kazimiera Nogajówna Kazimiera Nogajówna
芭芭拉·拉赫瓦尔斯卡 / Barbara Rachwalska
Krystyna Wachelko-Zaleska Krystyna Wachelko-Zaleska
Jerzy Wasiuczynski Jerzy Wasiuczynski
Andrzej Kruczynski Andrzej Kruczynski
Andrzej Rozhin Andrzej Rozhin
Slawa Kwasniewska Slawa Kwasniewska
Tadeusz Huk Tadeusz Huk
布罗尼斯瓦夫·卡索夫斯基 / Bronislaw Kassowski
Tomasz Zygadlo Tomasz Zygadlo
扬·切切尔斯基 / Jan Ciecierski
Zbigniew Bielski Zbigniew Bielski
Iwona Biernacka Iwona Biernacka
Andrzej Buszewicz Andrzej Buszewicz
埃娃·达尔科夫斯卡 / Ewa Dalkowska
Stefan Burczyk Stefan Burczyk
Jerzy Fedorowicz Jerzy Fedorowicz
亚当·费仁希 / Adam Ferency
理夏德·科蒂希 / Ryszard Kotys
Jerzy Lapinski Jerzy Lapinski
Jerzy Kryszak Jerzy Kryszak
安杰伊·尤加 / Andrzej Jurga
Marcin Jarnuszkiewicz
编 剧 阿格涅丝卡·霍兰 / Agnieszka Holland
Witold Zatorski Witold Zatorski
音 乐 Andrzej Zarycki Andrzej Zarycki
摄 影 亚采克·彼得雷茨基 / Jacek Petrycki
美 术 Bogdan Solle Bogdan Solle
简 介
波兰女导演荷兰徳早年的“女性三部曲”的第一部，也是她独立执导的长片处女作，尽管她后来的作品如《欧洲，欧洲》《华盛顿广场》等已经不再是女性主义了，但她早期的三部影片《地方演员》（1978）《孤独的女人》（1980）和《狂热》（1981）才是最能体现她作为一个女性导演的个人风格的作品。与同时代德国女导演M-冯-特罗塔的《德国姐妹》一样，这部影片的女主角Halina Labonarska的表演也非常出色，获得波兰国家电影节最佳女演员奖，以及1980年嘎纳影展的影评人费比西奖。
The film is set in a small town near Warsaw to which a young and coming director comes to produce a classic play (Wyspianski "Wyzwolenie") with a modern vein. Everyone in the production gets his usual stereotypical role but the aging idol of the ensemble senses opportunity to give the performance of his life. For young director everything is already set. The leading man however is not giving up and is trying to restore the role according to his view. His wife listens to his fears complaints and frustrations while resigning herself to a fading career in a puppet theatre.
Talented Polish female director Agnieszka Holland who would be better known in later years because of her films like Europa Europa (1991) or some of her American works like Washington Square (1997) hits the mark early and again with this ostensible story about provincial actors in Poland. In reality the comedy-drama can be read as a commentary on the contemporary Polish scene in politics and society. The story begins as a savvy director arrives in a small town to put on a stage play. His leading man is filled with insecurities and goes beyond the confines of his lead role to expand his part restore his cut lines and generally outdo himself while taking on some of everyone else's job including the director's. No one wants to lose him because of his drawing power and the director is caught in a bind. At the same time the lead actor's wife is slowly losing her chances at success being relegated to a much lesser position in the troupe. This fine comedy won the Fipresci award at the 1980 Cannes Film Festival.